vsl vienna symphonic library performance set harp

#Vsl vienna symphonic library performance set harp full#
#Vsl vienna symphonic library performance set harp software#
#Vsl vienna symphonic library performance set harp series#

The keyswitches for these tutti Presets are F7–G#7 for types/attack, and B7/C8 for release variants.

#Vsl vienna symphonic library performance set harp full#

The Presets are a full range and a compressed range version. These are especially useful for quick layouts and, e.g., for playing an entire string orchestra live. There are two special Presets containing all string ensembles. Some articulations may not comprise the full range.Īrticulation switches: violins, viola, cello C1–G1, double basses C5–G5.There are 1st and 2nd violins, violas, cellos, and double basses, as well as two “tutti” presets. Selecting another setting than C4 will of course also change the play ranges and keyswitches accordingly.

#Vsl vienna symphonic library performance set harp software#

The Synchron Player software allows you to set middle C to C3, C4, or C5 according to your preference. The lowest C on the piano is C1 (the A below that is A0), etc. All pitches are written as capital letters, their respective octave being indicated by a number next to it. In this system the international standard of A=440 Hz is called A4 and middle C is C4. About Pitchįor designating pitch, the Vienna Symphonic Library uses International Pitch Notation (IPN), which was agreed upon internationally under the auspices of the Acoustical Society of America. For further information on constructing Presets, please see the Synchron Player manual. Patches can be used to build your own custom Presets and adapt the Synchron Libraries to your specific requirements.

The basic Mixer Presets are Close, Classic, Wide, Distant, and Ambience others like Lush, Sparkling, or Catchy may be added, which are tailored to the respective instrument. About Mixer Presetsįor each instrument, there are a number of Mixer Presets that depict different recording situations.

The controller function is indicated by the group’s respective caption, as of course it may take on different tasks as needed. The Type keyswitches normally start from C2 for high instruments, and from C6 for low ones.ĭimension Controllers offer additional options within some Articulations or Types, most notably that of crossfading between different Patches. By default the keyswitches for Articulations are mapped depending on an instrument’s range – starting from C1 (for Middle C = C4) for higher instruments, and C5 for low ones. Switching between an instrument’s playing styles and articulations is generally done via dedicated keys on the keyboard and aptly called “keyswitches”. If you happen to be short of RAM, you can deactivate Articulations you do not need, and activate them again if necessary. Within these articulation categories, you can select a type, e.g., bold or agile staccato, and for some of the types there are additional options available, such as crossfading between normal and tremolo articulations. The Presets of each instrument group are subdivided into different articulation categories, including one (provided there are enough articulations) named “Custom” and ready for your own creations. Velocity crossfading can be enabled or disabled by clicking its on/off symbol in the Synchron Player's Perform tab. In “VelXF sus - MOD” Presets, however, velocity crossfading is only activated for long notes, while the dynamics of short notes are controlled by keystroke velocity, thus facilitating phrasing. In “VelXF” Presets, all articulations have velocity crossfading activated so that you can control dynamics with MIDI controller CC1, the modwheel. In the regular “Velocity” presets, note volume is controlled by keystroke velocity just like a piano. The library offers three basic Preset types for every instrument in their respective folders, marked “Velocity”, “VelXF - MOD”, and “VelXF sus - MOD”. This document will provide you with the information you need to use the Library with our Vienna Synchron Player.Įach of the Library's instruments features Room-Mix samples (distilled from the complex microphone setup of our large collections' recordings) and those of a Close microphone, allowing you to adjust placement and balance of your instruments in the Synchron Player's 'Mix' tab. The recordings were executed using an expansive, phase-controlled multi-microphone set-up, capturing orchestral instruments played in a scoring stage with exceptional acoustics, now ready to be used in your studio.

#Vsl vienna symphonic library performance set harp series#

Welcome to the Vienna Symphonic Library’s series of Synchron Instruments! The instruments were recorded at Stage A, the main hall of Vienna’s revitalized Synchron Stage Vienna.